O nativo-experimental: m?sica experimental e seus contatos com a cosmologia nativo-ancestral da Am?rica do Sul

 

Authors
Andrade Y?nez, Jonathan Xavier
Format
MasterThesis
Status
publishedVersion
Description

The thesis seeks to understand musical events derivate from the contact of the so called Experimental Music with musical realities of Indigenous Native-Ancestry of the South American continent. To do so, it performs a historical context of the evolution of musical experimentation since 1950, following a linear path to the present, which features work and research of active composers who have specifically addressed the relationship between music, indigenous worldview and shamanism within the process of sound/musical experimentation. In this context, it highlights the creation of cross-cultural relations, produced between two heterogeneous realities that, in contemporary times, complement each other. Finally this research presents the practical work, arising from the creation of graphic scores and verbal instructions, developed with the research group in improvisation and musical experimentation Orchestra Errante (ECA-USP), where were used conceptual and sound/musical elements forma indigenous native-ancestry of South America and eco-listening in regular practices of free improvisation, highlighting the difficulties and possible strategies for the conjunction between two antagonistic elements, native-experimental.
A disserta??o procura compreender os acontecimentos musicais derivados do contato da denominada M?sica Experimental com realidades musicais Nativo Ancestrais Ind?genas do continente sul-americano. Para isso, realiza uma contextualiza??o hist?rica da evolu??o do experimentalismo musical desde 1950, seguindo um percurso linear at? a atualidade, onde se destacam trabalhos e pesquisas de compositores ativos, que t?m abordado especificamente as rela??es entre m?sica, cosmovis?o ind?gena e o xamanismo dentro do processo de experimenta??o sonoro/musical. Nesse contexto, se evidencia a cria??o de rela??es transculturais, produzidas entre duas realidades heterog?neas que, na contemporaneidade, se complementam. Para finalizar a presente pesquisa apresenta o trabalho pr?tico, decorrente da cria??o de partituras gr?ficas e instru??es verbais, desenvolvidas com o grupo de pesquisa em improvisa??o e experimenta??o musical Orquestra Errante (ECA-USP), onde foram utilizados elementos conceituais e sonoro/musicais nativo-ind?genas e eco-escuta em pr?ticas regulares de improvisa??o livre, evidenciando as dificuldades e poss?veis estrat?gias para a conjun??o entre o nativo-natural e o experimental.

Publication Year
2015
Language
Topic
ETNOMUSICOLOG?A
M?SICA EXPERIMENTAL
COMPOSITORES
TRANSCULTURALIDAD
Repository
Repositorio SENESCYT
Get full text
http://repositorio.educacionsuperior.gob.ec/handle/28000/3454
Rights
openAccess
License